Inspired by petals and bloom formations, these studies translate floral layering into a coded pattern language that reads as texture.

System Two began as a set of geometric patterns hand-drawn and iteratively recolored to test shifts in tone, density, and rhythm. Each composition is then re-processed through a 1-pixel extrusion method that subtly “pulls” the image into depth—turning flat geometry into a texture with a sense of volume and direction.

The final files are printed on silk using a Mimaki textile printer. I photographed the printed fabric in a dark room to control light falloff and emphasize depth of field, so the surface reads less like a graphic and more like a textured field—where the pattern becomes spatial, not just visual.